Showing posts with label Women. Show all posts
Showing posts with label Women. Show all posts

2010-10-12

Shooting from the Hip #3 (Bolshevik Boogie)






































Bolshevik Boogie and Soviet Swing;
nothin' else to it by the riverside that day.
Cheek to Cheek don't mean a thing
behind an iron curtain in a gypsy foray,
where medals are awarded
'for services to Polka', e'ryone talkin' jive,
bootheels shot from so much spinning.
We hadn't laughed so much since Grandma tried
to jump the wall or Uncle Alexei gossiped
he head off listening in for betting tips.

Notes on Breaking and Entering

You’d confiscated my key
so I climbed the drainpipe;
pulled pork, beets and brandy – I dined
well with the folk inside. With all that whisky
spilt down my shirt I couldn’t sit right.


I brought you wine and flowers;
your hound helped tear the trousers
from my legs. While he and I
were making friends, I found
myself chained to the radiator,
with a pair of silver bracelets


that match the drill sergeant’s
epaulettes – he was braced
against the wall, searching
for the alca-seltzer, pawing
through the kitchen drawers.


While a preacher at the faucet
claimed he was pouring holy water,
in the war room your butler
played checkers and a marching
band circled the dining table
breaking tea-cups and jesters
take the minutes of this farce.


All these itinerants were kept raving
by a the extenuations of an alleyway
medicine tradesman prescribing
alcohol for their sores. Offering
to waterboard me at no extra cost,
your lawyers billed the standard fee:
they’d smelt blood playing Double Dutch
underneath the hanging tree.


I wouldn’t’ve guessed I’d be
contested for your lionized
affections – I’d sooner be rid of you
than a pack of hungry dogs;
even with my dying cough I’d rather
roll between the stables,
with your vaudeville chicks painted
head-to-toe, bathed in laughter
and without their clothes.


2010-09-09

Tell Me Now

You’re only as good as your last work;
you're not sleeping until you’re laying in the dirt;
you’ll never love until you know what it’s worth;
you’ll only bleed if you cry out that you’re hurt;
tell me now, in all your days:
what have you learnt?


You’re going nowhere unless you know where you’ve been;
you’ll never win unless you know how to cheat;
you’ll win friends if you know the enemies you keep;
you’ve grown successful when you harvest jealousy;
tell me now, in all your days:
what do you believe?


You don’t need belief if you know the truth;
you can be sure of anything if you have the proof;
you’re only old if you never think anything new;
you’ll never set sail unless you’re one of the crew;
tell me now, in all your days:
what have you got to lose?


You tell me you ‘sleep, perchance to dream,’
– you can’t act unless you’re in the right scene;
you can’t hold up a candle without striking a match;
you can’t walk through her door if I’ve dropped the latch;
tell me now, in all your days:
have you ever shown your hand?

2010-07-27

Jazz, Bleedin' Kohl and a Howlin' Trumpet Blast



I thought it best not to pursue

the nature and causes of my illusions

when I discovered her in the mirror

behind the spirits in a stray cat jazz bar

- one where raucous chapters,

as if written by a feverish

film director, are captured

in the midnight hours by a single

wink of Kegman Kovacs,

crooked on his stool behind

his bandit register – her wide-eyed

glare was the perfect bromide

for this saloon thick with

the accents of moral dissolution:

she’d glimpsed some idyllic

future scene and the thought

remained flushed on her cheeks.


As the creator of this ideal

enlivened with eloquent details,

excerpts from classic fiction

(encouraging second guesses

from Pulitzer marksmen,

compelling in their list-making),

this glossy idol of bourgeois

abstraction feigning realism,

I choose a road that is straight

and narrow, I don’t even need

to determine the direction

I travel – I’m not going back;

She consistently suggests movement,

accompanied by a leitmotif:

the howling blast of a trumpet,

a complex enigma coded

by a triad of valves and the bitter

freedom of a private life

released from public silence.


All this time I accept

she is not next to me

but on stage, amber candent

bulbs warming her face.

The band is her gang:

a vicious platoon enlisted

as a tragic ballast drilled by a single

ambitious woman. An artist,

my essence in my creative capacity,

I hold no monopoly on integrity,

forgetting the monologue,

remembering only the speaker

from the imbecile chaos

of the boot-heel chipped oak floor.


We for the minute are her closest

friends like a chance collection

of driftwood, our scepticism

relinquished from our malt,

for our craving to believe

is desperate and deep.


We beg for reward

like the queue for a soup kitchen

and with just as much dignity.

She offers a flash of information

ripe with sexual suggestion,

the grand spectrum

from love to anger painted

with a vast collection

of colours. This sylph

singing for us, a siren on a cliff

ready to wreck our passing ship,

bewildered by the obscure guilt

of a burgeoning, heated affair,

defending herself

from token wisdom

with a sinister wit emanating

from behind the flash of her teeth

across a twelve-bar riff,

displaying the dagger

but masking its poisoned

flavour with the hilt


In a slow section she leaves a kiss

on the gauze of her microphone,

a blood red smear of lipstick

- she came to sing for them

but she dances for me, hanging

on behind her with my guitar

slung like a weapon.

Before we began she only gave

me a key and a couple clicks

for the rhythm.


My turn, I sharpen my razor wires

on each flinching hat,

a trembling ride, a nickel

wound shake to every kick

from the ground. There’s

alleyway justice in my screams:

a cut to the face if you stray

from your station, every time

I break rank I fear ambush at Cerriglio.

I dissect your mood for the crowd

and find a tune for the words

she couldn’t place but now

lie naked on my operating table.


Bleeding kohl down her cheeks

She smiles at me, having forgotten

the people listening unaware

of the true purpose of our plot.

2010-06-30

Single Malt / Crimson Lips

Don’t look for consistency when

asking about his identity:

he’s a cross between himself

and a stranger he has never met.


Sure feeling like a million sterling

and then some change,

the whisky in his belly

sets him in the path

of a spectral dame.


Begging for the freedom

to just pick up and leave,

by introduction he hopes

to conquer this dimensionless beast

simply born of the syllogism

of the dancefloor rhythm

and the flash of a chandelier.


Alien to mortal existence,

her skin is a wondrous tapestry

of infinite colour and complexity,

stained indelibly by a dress

that would look the height of fashion

on any other woman.


Bored of having every whim answered,

every degenerate wish granted,

she forces he pay the theft

of living in the crowded

miser’s den of private ego.


An unimaginable force keeps

this sybarite inexplicably

anchored to observable reality.


He should have been thrown out by now

but instead stands as an impertinence

to their unstated lust, tight

in the jaw, clutching an expensive single malt.


A dilettante of the vilest crime

imaginable, she tortures him

with the peculiar imagery

of crimson lips blooming

on her stony expression.


They assess each other’s

lurid intentions, painfully

aware of the suffocating

emptiness of impatience.

2010-06-16

Untitled Starlet #4


“I wanna be a green-eyed popsmith

Loved by a twenty-first century fox,

Queue as ammunition for urban myth –

Poets never wanted to stop the clocks,”

Said the miraculously fabricated blonde,

Aligning the scan of her garter belt;

With the spartan regimen of a dedicated bard,

She melds exclusively with bonafides.


Authors’ tweeds and philistine Hollywoods

Write cochlear rhythms and reels of rhyme

For mere craftsmen, who’ve sung their songs a million times.

Panting for screen tests, frenzied by Mad Ave. hype,

Centrefolds flock the lobby – tell Godot I’ll get back to ‘im

– For a new treatment cut with a stylish Valium,

Hoping they’ve gotta pair to script a million shorts.

Tell me when his olifactory compass finds north.


“Dance like an organ grinder’s monkey,

You whiskey-soaked troubadour.

Crawl the King’s Fucking Road Darling,

Nobody wears hearts on their sleeves any more.”

2010-06-08

Tell Everyone

Don’t be too surprised as I
Click heels with the blessed of ‘em;
Wait ‘til we’re out of hiding –
News reels just haven’t
Confessed it for us yet.


Their Dolce and Gabbana
Public cadre, mobile messages
Tightly taped to their faces.
Can whisper to America; so opined
Yet never even queued for groceries.


Fine with me though: I could happily nap
During debacle retrospect, ‘The public
Were not in danger at any time.’
Is the mantra of avenues run
By nebulous crooks.


They may refer me to their lawyers
With apoplectic whispers,
Those botulined etiquette by-pass baiters,
Who pick their sons and
Their daughters from long glass tubes


– Cask-conditioned birth cocktails.
They enumerate these benefits,
With an accent to seduce Gorilla-men
And tempt their Santa Monica
Wives into troop formation,


While I’ll be talking all that jazz,
Order a double (extra black) to blunten edges,
Mix in melodrama spin for other-half
Apologetic passengers who’ve
Nothing else to do or say:


“I’ve all these wonderful remarks to make
Because of course I am a writer
And I can jive poetic about any skirt
That can direct traffic;
How the sum of her parts defines her.”


The cutter’s choice is too good
To cover in rags no-one will motive;
Those rakish details young
Designers bring to things.
That hyperbole?


Whose cheeks’re so perfect
You wouldn’t believe?
I joke I’ve lain her twice
But seriously: tell everyone.

A Cold Reflection

A cold reflection on a mirror pavement wet with rain,

I wink my violet eye,

My collar high against the wind.

A dried out roll-up on an empty stomach;

Any comfort, as I roam the streets.


A willing conscript to sign in rhesus positive

For some fleeting belletrism,

I chase the success envy believes me to be,

Like a marionette without strings,

Drowning in this lazy river

Of tepid ink.


A heartbeat flicker like a wasp in a jar:

An alternatina teenager

In tyrannic nothing-dresses.

I court a frankenstitched friendship,

kiss her sweet-sweat neck

She somehow avoids arrest.


The laughter of sidemen from behind their instruments

As i consult the haruspex;

I suggest the motions of a wanderer;

Any disproportion of whisky could kill me,

Waiting in half-assumed stances.


Some miracle of adhesion:

I watch the shirt buttons strain across her bust.

I prefigure my hands in frustration

My guts in a twist

As trying to turn a needle inside-out.


Pin-stripes on all sides as two colts climb

Through ten paces;

I flash a bruised smile

Flip a table smashing glasses left and right.

I raise my .38, plug one through his leg,

He falls to the floor,

another in his chest,

So he knows he’s finished.