Showing posts with label Work. Show all posts
Showing posts with label Work. Show all posts

2010-09-16

Shooting from the Hip #2 (Blues Bar)

Man, I had the best time at 20
- I didn't care what anyone thought.
I asked, "You've changed since then?"
No; if I had, I'd've gone mental,
been thrown in hospital,
therapy and all that, I tell you

one thing: I fucking hate Woody Allen.

- Photograph by Sharp Noir, August 2010

2010-09-09

Tell Me Now

You’re only as good as your last work;
you're not sleeping until you’re laying in the dirt;
you’ll never love until you know what it’s worth;
you’ll only bleed if you cry out that you’re hurt;
tell me now, in all your days:
what have you learnt?


You’re going nowhere unless you know where you’ve been;
you’ll never win unless you know how to cheat;
you’ll win friends if you know the enemies you keep;
you’ve grown successful when you harvest jealousy;
tell me now, in all your days:
what do you believe?


You don’t need belief if you know the truth;
you can be sure of anything if you have the proof;
you’re only old if you never think anything new;
you’ll never set sail unless you’re one of the crew;
tell me now, in all your days:
what have you got to lose?


You tell me you ‘sleep, perchance to dream,’
– you can’t act unless you’re in the right scene;
you can’t hold up a candle without striking a match;
you can’t walk through her door if I’ve dropped the latch;
tell me now, in all your days:
have you ever shown your hand?

2010-08-09

Picket Song

All cards wild at the press junket,
Pigs in kitsch suit aesthetic,
Signing up as clockwork volunteers,
Ink-lip their names to a list,
Form ranks armed
To the teeth with Mint Juleps,
Calmly advance on my salient,
Feathered by a fist,
Tarred with a kiss
- I hope to never know why that is.

I’ll walk myself back
To the stocks above my bed,
My boots leak - I don’t care.
My eyes deep in my pockets,
On the midnight street,
I’ll shuffle and stare
At the news-print on my fingers:
Life without a future tense.
Go for coffee and cigarettes.
Writers’ bar-room circle
Follow their own scripts.


“Punch your time-card, boy,
You’ve got work to do.”
I sweep the salt from the ground,
Pretend I’m D.B. Cooper.

2010-06-08

Sharp Noir (Part III)

Entombed by work, Cassis sits

alone now below a menhir

to the Colonel, his stipendiary

at the base of this monolith

characterises his worth;

his body is visibly reduced

to basic operating levels.


Drinking his dark rum, he lets

his ash grow an inch

from his lips and stitch

anxiety into his patients

waiting with form and cheque.

They lie exposed and he,

hunched over each, gets

no complaints, inspecting

wounds like ancient gems

unearthed before the naked

tribals by men in pith helmets;

the natives sucking on gravel,

the mustaches breathing gin.

He knows his trade from

behind Rubix and her quotients,

his ivory desk and ordinance:

merely a corset to a narcotic

bust at every stratum.


Standing at the edge

of manhood, being a child

seems like a dream for The Juke,

a young man who could have

worked a lifetime as Cupid’s fletcher,

his eyes flash like hot knives.


His hard hands are relaxed,

elastic at the joints, sinews tired,

may be pried apart by a small child.

His attention to detail reveals to him

obscenities to which it also accustoms.


On leave from Switchboard repairs,

The Juke is frequently audience to Rubix.

She admires his loyalty, “which may

only be found in youth.”


“The rack of addiction

imposes contact,” riles

the houndman chained

to a radiator, brandishing

his filth and a rusty fork.

“Cabbage fritters and boiled tongue

Is what they eat where my mother’s from,”

dismisses The Juke

- with the peel of his smile,

the tilt of his jaw reveals

what’s tattoo writ ‘Cut Here’

by little monochrome scissors

on a dotted line ear-to-ear.

“It will be a short one, my last breath,

So I mark it where my gasp will end.”


In our darkest reflections, of love and death,

our thoughts are potent with the Colonel.


The Juke remains loyal

as Rubix continues illusion epitome,

“… seemed I ordered Whisky

in The Grand Pump Room

- never met the waiter,

bastard failed introduction.”


She’s sitting despotic

in a broad-stitched leather

booth, conducting: “I was seated such,”

palm to Formica, “at the Colonel’s

eightieth; he soliloquized much

the need for men like you.

His wisdom was of fine stock

and calibre – I’ve had

the girls print the matchbooks.

We thank his heroism,

we’re adorned: my necklace gold,

your hands well oiled!”


Her fingers fat from handling money,

The Juke at once spits from memory:

“I was looking for a voice, he stood there full of cheer and pretense like a shaman on a box

– maybe not soap but some well demanded, highly branded, value-tax added product

of some kind. He asked what I was doing with my life, what I was trying to find

fixing cars with my black thumbnails and hard, thin boots, my loose jaw

bound to get broken, my legs full of bourbon. A laminar flow

of contradicting tones in his voice, I told him exactly where he could go.

He talked of a town called Liberty,

where the people basked in Freedom;

I asked what kind of map he was readin’.”